Printed to order, one at a time

Sculpture · Machines · Spaceflight · Invention · Cities

Original art
of real things.

Every print starts with something that actually exists: a statue in a museum, a car that left a factory, a rocket that left the planet. Hard Proof turns it into original art, made to be read from across the room.

Proof · Plate 09Apollo 11

Saturn V lifting off, drawn in cream and black halftone dots on orange
  • Black
  • Orange
  • Cream

Saturn V SA-506 · 16 July 1969

The collections

5 series so far. Each one takes a different kind of real thing, and every plate gets a palette of its own.

Series I · Sculpture · Special edition

The Pantheon

Why I made these

These are real statues. Real hands carved them for emperors, temples and tombs, and they have outlasted every one of them. Stand in front of one and it still wins the staring contest. I wanted to pull them off the pedestal and give them the poster a headliner gets: loud colour, a halo, and a name you can read from across the room.

View the series

Series II · Machines · Limited edition

Horsepower

Why I made these

These are real cars that left a real factory. Somebody shaped every line of them on purpose, and decades later you still turn your head when one drives past. I wanted each one parked in front of its own name, with the numbers that made it famous printed underneath.

View the series

Series III · Spaceflight · Limited edition

Liftoff

Why I made these

These launches happened. People sat on top of that much fire and went. I wanted the posters to feel like the last second of the countdown: loud, simple and impossible to look away from.

View the series

Series IV · Invention · Open edition

Drawing Board

Why I made these

Before it was in your pocket, it was a drawing filed in an office. These are the actual sheets and layouts, the moment an idea became a thing with a number on it. I made posters of them so you can hang the birth certificate of a machine.

View the series

Series V · Cities · Open edition

Street Level

Why I made these

Every line on these maps is a real street. No artist decided where they go; a few hundred years of people did. I just gave each city the ink it deserves.

View the series

Sizes

Every plate.
Three sizes.

Printing
Made to order, one at a time
Landscape plates
Same three sizes, turned sideways
Open edition
Printed to order, with no limit on how many are made.
Limited edition
Numbered, and limited to 250 of each plate. Later editions may follow and will be marked as such.
Special edition
Signed and numbered, and limited to 50 of each plate. Later editions may follow and will be marked as such.

12 × 16 in

From $35.00

18 × 24 in

From $55.00

24 × 32 in

From $85.00

Method

Nothing here is made up. It all happened, and now it hangs on your wall.

There is no formula for these. Each plate is worked out on its own, by eye, until the subject looks the way it deserves to. Some come together quickly. Some never make it out of the workshop.

It starts with a real thing

A statue in a museum, a NASA frame, an original patent sheet, a city's streets. The source is real and free to use. Choosing it, and deciding what about it is worth a wall, is the first part of the work.

Each one gets its own treatment

A marble face asks for something different from a rocket on the pad. Every plate is drawn for its subject alone, with its own inks and its own kind of mark: halftone dots for one, thousands of fine lines for another. The subject decides.

It gets redrawn until it's right

The first version is never the one you see. Plates are redrawn, recoloured and reset many times over, and a whole series is held back if it isn't there yet. Nothing is released because it was due.

When a plate is finished, it is printed for you when you order it. Nothing sits in a warehouse.